Reggaeton y contradicción #reggaeton #badbunny #contradiccion #tegocalderon #daddyyankee

They say that Bad Bunny is the revolution, but his work shows something more brutal, that capitalism has already learned to sell us the boss, as if it were fun. It is the symptom that the system exceeds as a teacher. The reggaeton born like the outside of the market, not an industry, but a prohibitive crime. A crime against the moral order of the rich. The police married him, because he remembered. A true discomfort, that poor bodies have a story. When it appears that I have, it appears the ghost that I see, capitalism cannot exercise. I hate it, Caribbean, saying, this is not fashion, it is memory. Tego is the beat, and accuses. The boss who returns real, what the industry is trying to forget. After that, Geri Yankee arrives, and there is when capitalism decides, that it cannot defeat a movement, so it becomes the only possible. The dog leaves to be a little, and gets tired again. Only the mixed version remains, without hunting and without fighting. The system does not integrate, empty, and sell. And there it appears, Bad Bunny. A giant artist, trying to re-open the wound. He speaks of colony, of gender, and even class, but he does it from the same machine, that turned the reggaeton into global decor. Bad Bunny is the fetish that allows us to forget the injustice, because his rebellion comes packaged, as a luxury experience. His shadow is trapped in a world where there is no one outside. The reggaeton does not escape, is absorbed and reproduced. Bad Bunny does not return the contradiction, Bad Bunny is the contradiction. The reggaeton, born as a rupture, the capital turned it into shape. Niegue the order, and it reproduces, cries against the power of his interior. There is no simple dialectic, only a contradiction that you, sangra, and keeps playing.