0:00 / 0:00

Sillage", "Notes de fond", "Pyramide olfactive"... Le monde du parfum possède son propre langage, parfois un peu intimidant. Dans cette vidéo, on décode ensemble le lexique essentiel pour que tu puisses enfin mettre des mots sur tes émotions olfactives et choisir ton prochain "jus" comme un expert ! #fyp #pourtoi #passionparfums #parfums #astucesparfum

@betunia.mouk
27.4K views2.8K likes3:32ENApr 9, 2026
772 words4084 characters59 sentencesReadability: Middle School

Transcript

You suddenly have parfumri and you don't understand anything at all. Sometimes you read the same descriptions on the perfumes and you don't understand anything. Today, we're going to make a real catalog of dimo simple to learn the terms of parfumri. In number one, we have the expression "parfumri" called "le jus". "Le jus" is just the liquid that is inside the bottle. We say that a jus is quality, when the mixture between the lids and the alcohol is perfectly balanced. In number two, we have what we call "siage". It's just the trace you leave behind you. That is, if you pass in a color and that even if you don't have any more, there is always your smell. So we say that your parfum has a strong "siage". In number three, we call what we call "tenu d'un parfum". It's simply the time that the parfum remains on you. Attention, there is important to understand that a parfum can have a strong "tenu". So a parfum can last for 12 hours, but to have a weak "siage". That is to say that no one hears you next to you or after you are gone. In number four, we call what we call "louverture". Again, call the notes of "tête". It's the smell that you are the 10 first minutes after having vaporized your parfum. In number five, we call what we call "siage", we call the notes of "fond". That is what remains on you after several hours. It's the real smell of the parfum. That one which is a "prayn" and "vetement", that one which is a "prayn" and "dra". In number six, we call what we call "l'accord" in parfum. What you have to remember is that "l'accord" is the work of the creator using it. For example, if the creator using it, it's a "vani" and a "lomb". It's a "accord", a "brayn". In fact, it's the origin of the recipe. I tell you because you don't have to confuse the "accord" with the "liring". The "liring" is your work at you. That is to say, you decide to mix two or several different parfums. We vaporize them on the others to create your own signature. In fact, it's your smell at you. In number seven, we call what we call "flonker". In fact, the "flonker" is the following of a parfum known. For example, a mark will decide to leave a intense version, a sports version, a night version of a parfum that already exists. In fact, it's the same family, but with a modified recipe. In number eight, we have the difference between "l'eau de parfum" and "l'eau de toilette". In short, "l'eau de parfum" contains more concentration than "l'eau de toilette". That is, it will be a little more intense. As long as the "l'eau de toilette" is lighter and the more fragile it is, it will cost less. In number nine, in parfum, we call it "née". So, attention, I'm not talking about my "née". In fact, the "née" in parfum is the creator or the artist who will be behind the creation of your parfum. On the other hand, small nuances. The creator of "l'eau de toilette" is not necessarily the proprietor of the mark. For example, on a parfum like Jean-Paul Goutier, it is not the cuturier himself who will create the "l'eau de toilette". But the mark will be called a professional "née". And it's him who will imagine the parfum. And finally, in number ten, we call what we call pyramid. In short, it's the evolution of the parfum in time. We call it pyramid because we start by the "eau". That is, the opening, in other terms, the notes of the head, we pass it by the heart, the notes of the heart, to finish by the solid base that will last all day, to know the step or the notes of the background. In short, what you have to understand is that the parfum is a language that must be understood. You have to not only go to buy a parfum. And when you're interested in understanding the lexic of the parfum, you are not interested in feeling good, but you are interested in understanding what you buy. And when you understand what you buy, you learn to choose what you really feel. Tell me in the comments if these definitions have any idea today and they are more clear. And I hope that the lexic of the parfum will no longer be a secret for you. Oh yes, I forgot, have a good night.