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#producer

@donnerbeats
9.6K views813 likes2:55ENJun 13, 2026
533 words2730 characters16 sentencesReadability: College

Transcript

I'm going to tell you three things that happen in the music business. Number one, if you don't have contact, it will be very difficult for you to achieve something big in the music. I say it for experience, I say it for people who have seen people with a lot of talent and don't come to any side. And people who don't have talent come to very far and are not bad, I'm not criticising anyone, I'm only giving my opinion and what I've seen, my experience. I'm not going to tell anyone but to tell you that you might want to tell you this, not to motivate you, but to know that you also have to worry about the time to dedicate the music. In your music business, you have to have your contact, you have to know certain people. If you want to be signed by someone, you have to know the IR or someone you have to see with that, it's very difficult for someone to reach your door. So, one of the things you have to do is to go outside and look for those contacts. Number two, a hit, a song, not to change your life. At least here in Latin America, in the connoisseur, it's much more difficult for you to change your life. For example, in the US, with the market, in comparison, there's a song there and you can change your life, because of course you have to see a lot of things, like what you pay for the stream, the pursuits that you manage in that market, but in my experience, I feel that a song never changes your life. If you can give you a lot of opportunities, perhaps the one that a song is going to be hit, you can open many doors, but monetarily, I feel that it gives you no way to change your life, or not as a producer. And number three, as a producer, I feel that I want more money working with an emergent artist. The same thing, I talk about my experience, about the experience of people I know, about people with confidence, and that, well, obviously, I don't know if there are any producers who are full with an artist's name, and they have their salary, and that it's me, but I don't know, I feel that most of the producers are also generating a lot of money with an emergent artist. So it's also a super good market, and that I also need the attention of our producers, that sometimes we just have to work with the number one with the biggest ones, but maybe sometimes we could also earn, I don't know, two or three emergent artists, and work together with them, and for the great things together, so perhaps to form that dance is super valid, it's like a very intelligent move. Well, that's a little bit of the video I wanted to do, maybe to tell you something like that, I don't know if you did it, I liked it, comment on me, if you liked it, it's worth it here, every opinion, I respect it, and, well, that's it.