Réponse à @chloe on révise pour le bac ensemble avec un nouveau livre sur lequel l’une d’entre vous passe son oral de bac de français ! Si toi aussi tu as besoin d’aide avec ton oral du bac écris moi ta question en commentaire ! 🫶🏻📚 #apprendresurtiktok #revisionbac #bacdefrancais #oraldefrancais #baccalauréat #revisionsbac #revisions #booktokfrance #livre #bookrecs📚 #theatre #marivaux

We're ready to go back to the French Aurea, for those who join us. The idea is that you leave a comment telling me about what book you're working on and I'll make you a review in the video. And this evening, it's for Chloe who asks me "Why do you choose the game of Love and du Hazard of Marivo for her oral?" So the game of du Hazard and the love of Marivo is this piece, the most known one. It's released in 1730 and it's a comedy in three acts, which is probably today far the most representative of all the theater of Marivo. The intrigue starts with classic, a father who wants to marry his daughter and she doesn't want it. Sylvia, whose daughter, is obsessed with her father, the authorisation of this drama, wins in order to explain her promise. Except that the promise has exactly the same idea as it is said in Valet to explain her promise. The servant and the Valet take the place of Sylvia and his promise, so the place of nobles. Without a surprise, Sylvia is around. She's so happy that she's one and the other in Valet or a servant, and the real Valet and the real servant who plays with nobles, she's so happy that she's one and the other, so she's so happy that she's one and the other. So the comedy is sort of this double-game of mask, that is a super common comedy resort in the 18th century, which leaves the story a lot of small pros and cons, some small words of the comic of the situation that will make the audience laugh. Another interesting point in this piece is this double-wheeled side of social condition, which actually integrates the background of social conditions and the relationship of Valet. We also try to be careful not to say too much to anachronism, but rather rather revolutionary in regards to the forced marriage of young girls, since there is Sylvia who goes all the way to the room to make sure that she won't make a forced marriage by her father who doesn't like her, since she even discovers that she is in love with the good of the person, she will still put together strategies to make sure that she really likes him. And in the piece, we still have some kind of characters that are very important, especially the character of Arlequin who is the pillar of the comedy. So let's talk about why to choose this piece for Laurel, and you can start by saying that this is the most represented and most known piece of Marie-Vaud, but also that it takes some big types of parts of the classic theatre of the 18th century, especially the comedy, with the combination of situations, the prologues, the values, and especially Arlequin, which are really pillars of the theatre at this time and since a little moment already. And finally, you can also talk a little more about the intro and come back to Sylvia, who decides to choose her fate and try to go against the marriages of confidence, which can be a position of Marie-Vaud's part, and you can also talk about this return of social condition, which is necessarily a hole on the bottom of its very distant class. Now, once again, don't be afraid to say all this with a lot of non-acronisms. When 1730, we don't have the same habits as in 2023. I say this, especially on the other hand, if you just want to choose your own fate and question the social classes. The French Revolution doesn't end right now, we still have beautiful years ahead of us, so don't forget your purpose. I hope you liked this video, if you too, you have a comment, let me know with a book on which you work for the back, and if you need help, don't hesitate to tell me, I'll make you a video.